The selection of 50 poems highlights “sites of feeling,” which is to say “sites of inquiry, resistance, resilience, regret, provocation, play, grief, desire, glee.” —Mary Ann Moore reviews Best Canadian Poetry 2025, selected by Aislinn Hunter (Windsor: Biblioasis, 2024) $23.95 / 9781771966320
Debut volume of poetry exhibits “a clarity of intent and style fully mature and confident in its own power.” —Cathy Ford reviews Boundary Territory, by Renée Harper (Surrey: Now or Never Publishing, 2024) $19.95 / 9781989689776
Attractive and handcrafted, a trio of chapbooks also showcase poets with unique gifts for observation and reflection. —Heidi Greco reviews Warp and Weft, by Carla Stein (Chilliwack: Tigerpetal Press, 2024) $15.00 / 9780995863972), Future Tense, by Lauren Peat (London: Baseline Press, 2024) $15.00 / 9781998521005), a tangle of words, by Yvonne Adalian, Mavis Beggs, Elektra Harris, Natalie Hryciuk, barb snyder, and B. Violet [self-published, 2024]
“Henry Miller said that Blaise Cendrars was the man Ernest Hemingway wanted to be.” Jim Christy writes an essay to introduce A Dangerous Life, Vol. 1: True tales from the life and times of Blaise Cendrars, the world’s greatest vagabond by David J. MacKinnon (translation), Blaise Cendrars
(Gananoque, ON: Guernica Editions, 2024)
$24.95 / 9781771839228
“[A]ctually, strictly speaking, the weather says nothing, even as its increasing excesses implicitly critique the ruinous choices we make as a country and across the globe.” —Carellin Brooks reviews The Weather Says, by Catherine Owen (Spokane: Carbonation Press, 2024) $20.00 / 9781304231015
Ambitious poetry volume “illustrates the evils of human nature, the predatory elites, and social engineers,” but is marred by soapbox rhetoric and ‘poetsplaining.’ —Joe Enns reviews Pole Shift & Other Poems, by Sean Arthur Joyce (Victoria: Ekstasis Editions, 2024) 9781771715560 / $23.95
“Rhenisch jam-packs his songs with ideas, zooming and spanning, yet with the grace of a skilled composer; a song might jar and rattle while at the same time carry a croon that compels. A reader cannot help but be swept and stilled simultaneously in the lyric experience.” —Steven Ross Smith reviews The Salmon Shanties: A Cascadian Cycle, by Harold Rhenisch (Regina: U Regina Press, 2024) $19.95 / 978177940154
An accomplished, sometimes surreal debut poetry collection fascinates with its immersive scenes and stark memories. —Marguerite Pigeon reviews The Sacred Heart Motel, by Grace Kwan (Montreal: Metonymy Press, 2024) $18.95 / 9781998898169
Thoughtful volume, a long poem and “book of praise,” presents an argument about myth, spirituality, and evolutionary progress via luscious imagery and rolling metrical rhythms. —Harold Rhenisch reviews The Making: A Poem, by Brian Day (Eugene: Resource Publications, 2024) $30.00 / 9781666779479
A note from Richard Mackie, publisher, The British Columbia Review. * Dear friends, supporters, and readers, On behalf of the Board of Directors and Advisory Board of The British Columbia Review, I must mention our pressing need for continuing financial support from our reading community. We make this request for private donations annually to keep the…
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Memorable debut poetry collection offers “poetry of the ordinary” while also examining masculinity and personal ghosts. —Harold Rhenisch reviews Little Bit Die, by Jason Emde (Barrie: Bolero Bird, 2023) $20.00 / 9781775330073
Marked by “verve and whimsy,” this collection portrays a “virtuous smart mouth poet” who is “gentle with humour” and “searing with insight.”
—Cathy Ford reviews Refabulations: Selected Longer Poems, by Sharon Thesen (Vancouver: Talonbooks, 2023) $24.94 / 9781772015102
A striking pair of “exquisite” chapbooks highlight reflections about enduring relationships and life’s ineffable moments. —Mary Ann Moore reviews Berberitzen, by Susan Alexander (Salt Spring Island: Raven Chapbooks, 2024) $20.00 / 9781778160363 and If I Have Known Beauty: Elegies for Phyllis Webb, by Lorraine Gane (Salt Spring Island: Raven Chapbooks, 2024) $20.00 / 9781778160370
A debut book of poetry reveals a precision and cleverness that can “make an otherwise unintelligible world fall into place.” —Carellin Brooks reviews I Hate Parties, by Jes Battis (Gibsons: Nightwood Editions, 2024) $19.95 / 9780889734809
“[F]orested with a wide variety of poems, or rather, communities of poems, both in style and subject matter,” the volume’s meditations startle and surprise. —Al Rempel reviews Cathedral/Grove, by Susan Glickman (Montréal: Véhicule Press, 2023) $19.95 / 9781550656350
A debut collection of occasional verse reveals a “happy fool” who takes “the wind out of Death’s sails.” —Harold Rhenisch reviews Blowing Up Growing Up, by John Givins (Cambridge: Askance Publishing, 2024) $25.00 / 9781778225062
Poetry volumes highlight a poet’s “impeccable way of seeing the grieving, dreaming world” as well as another’s “no readily-digested messages.” —Catherine Owen reviews Distractions, by Eve Joseph (London: Baseline Press, 2023) $15.00 / 9781928066873 and Signal Infinities, by Melanie Siebert (Toronto: McClelland and Stewart, 2024) $22.95 / 9780771013980
Poetry volume presents “a diverse offering of entrances into the common and yet infrequently written about life of one woman inhabiting her own time, planting flowers while ‘knowing full well the battle [she] will wage and lose.'” —Catherine Owen reviews Whiny Baby, by Julie Paul (Montreal: McGill-Queen’s University Press, 2024) $19.95 / 9780228020745
“A whole tradition of poetry met postmodernism in him, as he has achieved what he set out to do—carry it forward, weave it in, pass it on to us, and then let us swim on upstream, as his hands lift away.” —Harold Rhenisch reviews Poems Selected and New, by D.C. Reid (Victoria: Ekstasis Editions, 2023) $25.95 /8781771714129
“I’m writing this in part to address the request from readers of my other typography texts to write about Bringhurst, or perhaps pursue a retrospective. Both of these requests are solid and probably long overdue, so in this I attempt to take a first look at this pursuit.” Thomas Girard reviews two earlier books by Robert Bringhurst of Quadra Island, bringing readers a discussion on these influential titles: The Elements of Typographic Style & The Solid Form of Language.