“So, let’s welcome Enns as a new master poet to this tradition of fisher poets. Like the others he is a master at throwing a line—in his case, literally. At their best, the lines of his verse are exquisite casts. The poems through which they flash, stream, curl, and bend are pools of still water. Heart, mind, and world merge into attention.” —Harold Rhenisch reviews No Lines in Nature, by Joe Enns (Nanoose Bay: Joe Enns, 2025) $17.00 / 9781069299918
“In fact, gratitude is something I believe was on display in this enclave in the Coastal Room at the Gibson Public Market, an appreciation for the array of literary talent on the Sunshine Coast and across the province. That was certainly the message relayed by several literary award judges at this fifth annual event.” Trevor Marc Hughes reports on the recent Art & Words Festival events held in Gibsons this past weekend.
Selfhood, interpersonal relations, family history, and the wonders of the world are examined acutely in a debut collection book of verse, where some poems have greater immediate appeal than others.—Brett Josef Grubisic reviews Stolen Plums, by Alice Turski (Montreal: Signal Editions, 2025) $19.95 / 9781550656770
A “masterful book of poetry” studies and remarks on “the debris of our messy human experience: the relationships, the griefs, the final weeks of someone’s life, and the struggle to make sense of things, as well as the actual litter of our living in this world.” —Al Rempel reviews Parade of Storms, by Evelyn Lau (Vancouver: Anvil Press, 2025) $18.00 / 9781772142457
“It was the same when he was very young and had to support himself by working in the UBC Bookstore (or Book Sore, as he called it). But it was worse when he had no jobs and had to resort to begging from friends like Al Purdy and John Robert Colombo, or applying for Canada Council grants, which at first turned him down, leading him to become bitter and complaining.” Sheldon Goldfarb reviews The Weather & the Words: The Selected Letters of John Newlove, 1963-2003, by J.A. Weingarten (ed.) (Waterloo: Wilfrid Laurier University Press, 2025) $95 / 9781771126830
“This must have been my first long journey. At the age of six it was certainly the event that made the greatest continuous impression on me, and the almost three years that it introduced, from November 1940, after much of the worst of the Blitz and the Battle of Britain had already been endured, to the Autumn of 1943, when we returned to London just in time for the Doodlebugs, the V1 Flying Bombs, gave me a different perspective on English life from what I would otherwise have had in suburban London, where I was to live for the rest of my childhood and adolescence.” Christopher Levenson contributes the introductory part of his memoir, Not One of the Boys.
“When I arrived at Burnaby’s Simon Fraser University in the spring of 1970, the dust had barely settled on the previous five years of growing pains. A Magical Time took me back to the many exciting moments that would leave a lasting impression on members of my student cohort for better or worse.” Ron Verzuh reviews A Magical Time: The Early Days of the Arts at Simon Fraser University by the Simon Fraser University Retirees Association (Madeira Park: Harbour Publishing, 2025) $38.95 / 9781998526062
Couplets driven by narrative (or prose with poetic DNA), an extravagantly told book relates a 24-hour period in a city with inhabitants under the yoke of capitalism. —Joe Enns reviews Kingdom of the Clock, by Daniel Cowper (Montreal: McGill-Queen’s UP, 2025) $24.95 / 9780228023715
An attractive trio of limited-edition chapbooks meditate on grief, selfhood, memory, and catastrophe. —Steven Ross Smith reviews Summoning, by Jacqueline Bell (Salt Spring Island: Raven Chapbooks, 2025) 22.95 / 9781778160387, Modern Words for Beauty, by Mary Ann Moore (Nanaimo: House of Appleton, 2025) $25.00 / 9780978347499, and Day Song, by Sharon Thesen (Vernon: Broke Press, 2024) $12.00 / 981738725380
“Cumulatively, the effect is like a nocturnal landscape that is suddenly lit up by flashes of lightning. This is not a book to devour at one sitting but to savour briefly and return to often.” —Christopher Levenson reviews Dog and Moon, by Kelly Shepherd (Regina: U Regina Press, 2025) $19.95 / 9781779400383
Characterized by “portraits of the hard side of urban life,” “sparse lines and raw subject matter,” and a “steady current of hopelessness and aimlessness,” a novelist’s sophomore volume of poetry seems apropos for uncertain and accelerated times. —Kelly Shepherd reviews After Sunstone, by Dustin Cole (St. Louis: Farthest Heaven, 2025) $15.00 / 9798990692527
“Derksen has the gift of being able to embrace the language of institutions and structures—with their cold terms and semantics—into modes, sometimes personal, sometimes societal comment, that draw engagement, critique, and are accessible.” —Steven Ross Smith reviews Future Works, by Jeff Derksen (Vancouver: Talonbooks, 2025) $18.95 / 9781772016284
“While the detail in these poems can be distressing, the writer has shown in-depth feeling and in-depth writing that cannot be denied, but laid out, shared, even while the narrator is sometimes wildly enraged.” —Cathy Ford reviews allostatic load, by Junie Désil (Vancouver: Talonbooks, 2025) $18.95 / 9781772016062
With eclectic figures and images—from the Grim Reaper and the banshee to ripe fruit, seeds, and soil—a poet cannily examines “our frail human presence,” aging, and death with calm, humour, and wisdom. —Jane Frankish reviews Becoming the Harvest, by Pauline Le Bel (Qualicum Beach: Caitlin Press, 2025) $20 / 9781773861562
Poetic voices from coast to coast are gathered in a volume that reflects on our era—an “age of unprecedented environmental crises.” Collectively, their work strives to create room for “dreaming and transformation.” —Mary Ann Moore reviews Speech Dries Here on the Tongue: Poetry on Environmental Collapse and Mental Health, by (eds.) Hollay Ghadery, Rasiqra Revulva, and Amanda Shankland (Guelph: The Porcupine’s Quill, 2025) $20.00 / 9780889844902
With glimpses of “one of the greatest spectacles / the city ever sees / twice daily most seasons / dawn to dusk,” a poetry collection draws an array of meanings from urban crows. —Heather Ramsay reviews Crowd Source, by Cecily Nicholson (Vancouver: Talonbooks, 2025) $19.95 / 9781772016581
“Existing Music is a deeply layered and memorable work of poetic metaphor and imagery, and Nick Thran succeeds in playing with sound and shapeshifting, or transposition, to evoke an ‘Oh’ in the reader as we look over his shoulder.” —Joe Enns reviews Existing Music, by Nick Thran (Gibsons: Nightwood Editions, 2025) $19.95 / 9780889714861
Personal darkness and a generational chasm are examined in an urgent long poem—where a grandmother reaches out to a youth immersed in video game realities. —Isabella Ranallo reviews Encrypted, by Arleen Paré (Qualicum Beach: Caitlin Press, 2025) $20.00 /9781773861647
A Griffin Prize winner, a Vancouver poet’s translation of a preeminent Mexican poet’s work is “a rich, complex, and challenging book” that proposes a “wall of poetry” against the insistent iniquities of the world. —Gary Geddes reviews Self-Portrait in the Zone of Silence, by Homero Aridjis (translated by George McWhirter) (New York: New Directions, 2023) $28.95 / 9780811231732
“300 Mason Jars: Preserving History is a book to be treasured. Beautifully presented in colour, the delightful poems and contents of the mason jars can be savoured and preserved for years to come.” Valerie Green reviews 300 Mason Jars: Preserving History, by Joanne Thomson (Victoria: Heritage House, 2024) $34.95 / 9781772935162