A novel’s pensive narrator, a museum curator smitten with the realms of art history and ideas, recalls her childhood, marriage, and quest for personal alchemical gold. A slim book with many literal questions and much philosophizing, it left our reviewer wanting less as well as more. —Brett Josef Grubisic reviews The Alchemy of Paradise, by Susannah M. Smith (Halifax: Invisible Publishing, 2026) $24.95 / 9781778430855
“Robin Ward, a graduate of the celebrated Glasgow School of Art and respected architectural critic and author, does justice to that inheritance. He has added to the comprehensive yet accessible guidebooks he has written singly or collaboratively, including on Victoria and Vancouver, in this province. The photography is excellent and selection of buildings and civic statuary or artwork both astute and appropriate to exploring the built environment of Canada’s one-time leading metropolis.” Rhodri Windsor-Liscombe reviews Exploring Montréal: 151 Best Buildings, by Robin Ward (Madeira Park: Douglas & McIntyre, 2026) $29.95 / 9781771624619
“This is on the order of Monty Python with its delicious absurdity. Nawrocki is at his best when he spins these deadpan, Buster Keatonesque scenes— moments of truthful memory specific to ‘50s Vancouver. This is what makes the book work. The historical details are unvarnished yet amped up with his telling. But as we go along in Joey’s story, the memoir suffers from editorializing of a predictable nature that gets in the way of the stories despite moments of excellent scenarios.” Grahame Ware reviews The East End Rules: An East Van Memoir, by Norman Nawrocki (Montreal: Black Rose Books, 2026) $24.99 / 9781551648347
“Seto, mourning the past and given time to resurrect her creativity, recreated the buildings of memory and left them empty so that memory and desire could replace the ghosts inhabiting them with real lives configured with real information, the sensory details, smells and sounds that gave them life.” Linda Rogers reviews Chinatown Vancouver: An Illustrated History, by Donna Seto (Toronto: House of Anansi Press, 2025) $29.99 / 9781487011970
“Victoria’s urban landscape is littered with these remnants or references, in this case, to the golden age of Victoria’s great garden estates. They are a part of a legacy of similar markers, such as iron curbs that once protected sidewalks from steel-rimmed carriage wheels, hitching posts for horses stabled in the Rockland and Fernwood neighbourhoods, or small pockets of Garry Oaks that survived from a pre-settlement habitat that nurtured the Lekwungen people. These touchstones of community memory lend richness and meaning to the built heritage that tells Victoria’s story.” Martin Segger contributes the article Silent Sentinels, adapted from his upcoming book Tending Eden: A garden history of Victoria.
“If they are a choir, Genni Gunn, an Italo-Canadian poet and musician, translator of this volume, lifts it out of sea narrative to angel choir. Her sensibilities, like Maraini’s, bring harmony to the deliverance of a poetically nuanced story to universality.” Linda Rogers reviews The Ship for Kobe, by Dacia Maraini, translated by Genni Gunn (Hamilton: Guernica Editions, 2025) $22.95 / 9781778490019
“In BC, cartoonists like Len Norris, Roy Peterson, Bob Krieger, Dan Murphy, Raeside, and (more lately) Pia Guerra have demonstrated what a sharp wit can do with a sharp pencil. Nurtured for decades by daily spots on the local newspaper’s editorial/opinion page, these giants of jest created lasting and recognizable characters, styles, voices, values, and understandings of who we are.” John Belshaw reviews The Canada Handbook, by Adrian Raeside (Madeira Park: Harbour Publishing, 2025) $22.95 / 9781550179538
“I know this collection of work by these women is something readers will refer to time and time again, knowing each time they do, they will find something new to inspire them at exactly the moment they need it.” Valerie Green reviews Something Has Changed: An Anthology of Women’s Voices, by The Pen Pals Writers’ Collective (Nanaimo: Pen Pals Publishing, 2025) $20 / 97810694399505
“Anderson’s love for being in the kitchen and garden is unmistakeably real and infectious. Interspersed with Anderson’s own poetry and sketches, I find the physicality of the book, simply existing in my proximity, to be soothing.” Jessica Poon reviews I Love You: Recipes from the Heart, by Pamela Anderson (New York: Voracious, 2024) $35 / 9780316573481
“First-hand accounts are a wonderful way to experience history. These women were able to answer all sorts of questions that many of the interviewers and magazines from back in the day would never have thought to ask them, allowing Porter the privilege of discovering their stories. Though their stories always were valid, having them recorded as part of the larger narrative is an even more validating experience.” Myshara McMyn reviews Girl Gangs, Zines and Powerslides, by Natalie Porter (Toronto: ECW Press, 2025) $26.95 / 9781770417922
“Besides launching you on a hobby that needs only a bus pass, a big book for a press, good cardboard, and a few standard household items to start, the guide takes you through the steps from rank amateur to friend-of-the-museum-curator.” Briony Penn reviews Pressed Plants: Making a Herbarium, by Linda P. J. Lipsen, with illustrations by Derek Tan (Victoria: Royal BC Museum Publications, 2023) $19.95 / 9780772680563
“The fact, indeed, that Bovey writes with a refreshingly personal sense of appreciation, points towards one of the salient features of this curated exhibition—namely, the fact that just as artists may have “visual voices,” Bovey herself has a distinctive voice. Part of that, of course, is implicit in the selections she makes, but part, too, is explicit in her personal comments.” Theo Dombrowski reviews Western Voices in Canadian Art, by Patricia Bovey (Winnipeg: University of Manitoba Press, 2023) $49.95 / 9780887550478
“These stories of resistance need to be shared to help understand the breadth of depravity of fascism and its impact that can evolve under unchecked hate and power. Rather than “fascism” being an abstract word or slogan, it becomes visceral when told as a story using sequential art.” David Lester writes an essay telling of how, “as the creeping noose of modern-day fascism encircles us, I found myself drawing a story from 80 years ago.” Partisans: A Graphic History of Anti-Fascist Resistance, by Raymond Tyler & Paul Buhle (eds.) (Toronto: Between the Lines, 2025) $34.95 / 9781771136525
“Liz Hammond-Kaarremaa begins with a conversation about her discovery and research into the one empirical example of an ancient practice, the raising of almost but not quite domestic animals who lived in isolation to protect them from inbreeding and physical damage, animals bred to provide the weft in essential weavings.” Linda Rogers reviews The Teachings of Mutton: A Coast Salish Woolly Dog, by Liz Hammond-Kaarremaa et al (Madeira Park: Harbour Publishing, 2025) $36.95 / 9781998526024
“Think of all the books that live in our heads that never become books or only make it to a few chapters on paper before they’re abandoned due to life’s interruptions. That makes it all the more exciting when a completed, edited, published book takes its place on bookshelves both physical and digital and has your name on it.” In advance of the entry period for the 2026 SCWES Book Contest, Cathalynn Labonté-Smith starts off her latest essay with “any book that gets written is a miracle.”
“Each of the artists portrayed in the book–like a unique piece of wood, bone, or argillite they carve–teaches us something significant about their communities, their clans, and their personal histories.” Christine Añonuevo reviews Curve! Women Carvers on the Northwest Coast, curated by Dana Claxton and Curtis Collins (Vancouver: Figure 1 Publishing, 2024) $45 / 9781773272542
“Amos has been clear about his purpose. ‘Because my work is first and foremost, of local interest, I did not pursue gallery representation. As it is unabashedly old-fashioned, I never bothered to try for government grants. My goal has been to create paintings, which people will like, and which will become part of the life of the community.'” Christina Johnson-Dean reviews Painting Victoria: Fifty Years of Memories From a City by The Sea, by Robert Amos (Victoria: TouchWood Editions, 2025) $30 / 9781771514873
“This book offers expression and relief from the wounded land of immobilisation, where people must shrink their lives and selves to fit into hell. Redemption appears in unusual ways. The stories are not completely mired in torture or isolation. Overall, the atmosphere emanates a compassionate moonscape, revealing people trapped in numbing routines or chaos, getting through each day with no hope, yet most keep going.” Lee Reid reviews Off the Map: Vancouver writers with lived experiences of mental health issues by Betsy Warland, Seema Shah, and Kate Bird (eds.) (Vancouver: Bell Press, 2025) $22 / 9781738716784
“With the School Board now onside, the Vancouver School of Decorative and Applied Arts began classes in September 1925, squeezed into two rooms on the top floor of the Board office, a three-storey stone building at the corner of Dunsmuir and Hamilton streets. It operated as part of the city’s school system, though unlike regular public schools it charged an annual tuition of $50.” Daniel Francis contributes an essay about the series of historical events that took place in order to create what we now know as Emily Carr University, which had its centenary last year.
“Hill presents a compelling case for Antifa relevance in its fight against racism, fascism, and authoritarianism, providing a detailed history of events in our past, so we can better understand our probable future.” Jeffrey Stychin reviews The Antifa Comic Book: Revised and Expanded, by Gord Hill (Vancouver: Arsenal Pulp Press, 2025) $24.95 / 9781834050041