“With the School Board now onside, the Vancouver School of Decorative and Applied Arts began classes in September 1925, squeezed into two rooms on the top floor of the Board office, a three-storey stone building at the corner of Dunsmuir and Hamilton streets. It operated as part of the city’s school system, though unlike regular public schools it charged an annual tuition of $50.” Daniel Francis contributes an essay about the series of historical events that took place in order to create what we now know as Emily Carr University, which had its centenary last year.
“Our interviewees have been many and varied: from seasoned poet George Bowering to newcomer, Giller Prize-shortlisted author, Eddy Boudel Tan, from bestselling history author Nancy Marguerite Anderson, to acclaimed memoirist Marion McKinnon Crook. It has been a privilege for me to shake the hands of all of the interviewees of 2025, sometimes in their own homes and workspaces, and ask them about their creative process.” Interview segment producer Trevor Marc Hughes looks back on a year of The British Columbia Review Interview Series.
“Fox is a writer whose sense of humour translates well to the page, and who draws the reader in with his authenticity, a genuine approach that is satisfying to note given how much Hollywood glamour and publicity that has surrounded him in his adult life. His humour can also have a sardonic and even self-deprecating twist to it, and it’s clear that some of his rebellious nature came from his upbringing in British Columbia…” Trevor Marc Hughes reviews Future Boy: Back to the Future and My Journey Through the Space-Time Continuum, by Michael J. Fox and Nelle Fortenberry (New York: Flatiron Books, 2025) $26.99 / 9781250866783
“Each of the films … considers aspects of victimization. Each also makes its contribution to the ongoing conversation around Indigenous truth and reconciliation in modern-day British Columbia.” Richard Butler reviews the films Sugarcane and Racing to keep our language alive: H̓ágṃ́ṇtxv Qṇtxv Tx̌ (We’re all we got)
“This was, surprisingly, one of the most heartwarming and uplifting books I’ve read in a long time. Hearing the authentic voices of the men involved in WHoS directly allowed me to feel a great sense of connection with them and their struggles to find humanity in a setting where humanity is often lost.” Susan Sanford Blades reviews Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage, by Thana Ridha and Sylvie Frigon (Ottawa: University of Ottawa Press, 2025) $39.95 / 9780776644905
“Kean’s Canada Films was becoming a familiar brand to Vancouver moviegoers. A. D. responded to a limited market by diversifying his subject matter: local industries, the war effort, civic celebrations, and soft news items.” Dennis J. Duffy contributes the essay “The Famous Cowboy Artist”: A. D. Kean in Vancouver, 1913–1916
“In the late 1990s and 20-naughts, Stan and I lived six blocks apart in Victoria’s James Bay neighbourhood. Stan and Janet’s house on South Turner Street became a modern annex to Dorothy Burritt’s Suite Two. There was a guarantee of good company, good talk, and cups of tea—and films to watch in the big back bedroom, the Fox screening room. (I like to think of it as “The Stanley Theatre.”)” Dennis J. Duffy contributes an essay about trailblazing filmmaker, the late Stanley Fox.
“When I arrived at Burnaby’s Simon Fraser University in the spring of 1970, the dust had barely settled on the previous five years of growing pains. A Magical Time took me back to the many exciting moments that would leave a lasting impression on members of my student cohort for better or worse.” Ron Verzuh reviews A Magical Time: The Early Days of the Arts at Simon Fraser University by the Simon Fraser University Retirees Association (Madeira Park: Harbour Publishing, 2025) $38.95 / 9781998526062
“The absence of further information is both liberating and frustrating at the same time. On the liberating side of that coin, it is a pleasure to flip through the book wondering what the next page will bring. The purely visual experience allows me to focus on personal familiar favourites, unburdened by any knowledge or misconceptions (apart from my own).” Wayne Norton reviews Classic Photographs of Song and Dance and British Columbia, by Bradford Critchley (Vancouver: South Blossom Books, 2024) $18.49 / 9798326042392
Aspiring ballerina meets NHL rookie. Eventually, romance blossoms. “Any reader remotely familiar with the trope of I’m Only Pretending to Like You will know where this story is going; however, it’s how Khabra delays the inevitable that I was most impressed by,” writes Jessica Poon in her review of Spiral, by Bal Khabra (Toronto: Berkley, 2025) $24.95 / 9780735250468
“This tightly-written, 131-page extended essay contains 11 pages of references well-mined from film theory and queer theory in both English and German. Its three chapters cover the film’s production, including the melodrama between genre cinema and public health discourse…” Daniel Gawthrop reviews Anders als die Andern (Different from the Others) by Ervin Malakaj (Montreal: McGill-Queen’s University Press, 2023) $19.95 / 9780228018681
“Probably my favorite chapter is ‘Adventures in Sexism: Media, Music and Mucking up the Boys’ Club,’ which begins, ‘It’s hard to pinpoint the first time I realized I mattered less to somebody because I was a girl.’ She then carries on beyond her own personal experience to pastiche media critiques of her main four female musicians, demonstrating the cruel extent to which they had to combat multiple forms of reductionism, from being compared to other women performers, to being dismissed as mere puppets of their Svengalis.” Catherine Owen reviews We Oughta Know: How Celine, Shania, Alanis and Sarah Ruled the ’90s and Changed Canadian Music by Andrea Warner (Toronto: ECW Press, 2024) $24.95 / 9781770417748
“…understanding how everything in a way has life. Inanimate objects, human made things, people of course, and everything else as well. This is how Marks extends her ideas. It’s an incremental change of many philosophical ideas.” Thomas Girard reviews The Fold: From Your Body to the Cosmos, by Laura U. Marks (Durham, NC: Duke University Press, 2024) $29.95 USD / 9781478030119
“What an odyssey her life has been! When you think of her beginnings in mid-century Romania and Israel, her narrow escape from perilous situations, and her good fortune, which she has fully utilized, it is one of those stories that can be told again and again.” Christina Johnson-Dean looks back on the life and art of Vancouver-based Pnina Granirer.
“The intermittent chronicle of British Columbia filmmaking offers many examples of motion pictures that could have been made, but somehow never were.” British Columbia film historian and archivist Dennis J. Duffy ruminates on the films based on B.C. literature that got away, such as Swamp Angel by Ethel Wilson, in his essay Knowing the Country: The Unfilmed Ethel Wilson
“The topics covered in this book cover many issues: portraying girls as full individuals and the theory that anything is possible, sexual awakenings, political activism, and advocating for safe abortions.” Valerie Green reviews The Time of my Life: Dirty Dancing by Andrea Warner (Toronto: ECW Press, April 2024) $19.95 / 9781770417410
“Since the Oscars began in 1927, Canadians have been getting nominated and sometimes winning in most of the categories. Some have even been from British Columbia.” Ron Verzuh writes the essay Hello Oscar, Eh! The Canadian and BC Legacy at the Academy Awards.
“…plenty of other BC writers are available to adapt novels and short stories, the latter being a great source of filmable material.” Ron Verzuh writes When Hollywood Calls: An Essay on How Books Get Made Into Movies in BC.
Circus-set kids book showcases adventure, mystery, and the fight for women’s equality. —Alison Acheson reviews Ephemia Rimaldi, by Linda Demeulemeester (Toronto: Red Deer Press, 2023) $14.95 / 780889957299
