Part pop music meditation, part memoir, a poetry-and-prose hybrid offers “an authentic glimpse into Michael Turner’s roots and perspective through a lens that only Turner can provide.” With that said, some of the author’s techniques and choices raise questions for our reviewer. —Joe Enns reviews Playlist: A Profligacy of Your Least-Expected Poems, by Michael Turner (Vancouver: Anvil Press, 2024) $20.00 / 9781772142280
With “roots in the tradition of West Coast poetry that sprang up in the 1970s,” a photo-illustrated volume of poems sings the wondrous nuances of nature while also reflecting on the poet’s own history. —Harold Rhenisch reviews Hawking the Surf, by Diana Hayes (Vancouver: Silver Bow Publishing, 2025) $23.95 / 9781774033890
A slim debut volume of poems is by turns elegiac and allusive. And—whether focussed on a widow’s grief, a wife of Henry VIII, or rain in Tofino—it roves widely as well. —Isabella Ranallo reviews Portraits, by Lacey Jones (N.p.: Nerdy Kat Books, 2025) $14.36 / 9780986120886
“His wonderful contemporary wordsmithing took me right through to the back cover. I now have layers upon layers of his days, the burden of those days, and the saving graces of those days.” Rosa Reid reviews Always Breathe, by Victor Enns (Kelowna: self-published, 2025) $20
Written “in blank verse that swings between paragraphs of near-prose and short stanzas dominated by blank space,” a novel-in-verse traces lovers O and Z, survivors in a war-torn world. The moving, pensive novel “asks us to reflect on how our long legacies of memory and forgetfulness (both purposeful and unintentional) allow us to recreate harmful systems that have endured for hundreds of years and may well persist into the distant future.” —Zoe McKenna reviews Syncopation, by Whitney French (Hamilton: Wolsak & Wynn, 2026) $24.00 / 9781998408283
“This book offers expression and relief from the wounded land of immobilisation, where people must shrink their lives and selves to fit into hell. Redemption appears in unusual ways. The stories are not completely mired in torture or isolation. Overall, the atmosphere emanates a compassionate moonscape, revealing people trapped in numbing routines or chaos, getting through each day with no hope, yet most keep going.” Lee Reid reviews Off the Map: Vancouver writers with lived experiences of mental health issues by Betsy Warland, Seema Shah, and Kate Bird (eds.) (Vancouver: Bell Press, 2025) $22 / 9781738716784
“Our interviewees have been many and varied: from seasoned poet George Bowering to newcomer, Giller Prize-shortlisted author, Eddy Boudel Tan, from bestselling history author Nancy Marguerite Anderson, to acclaimed memoirist Marion McKinnon Crook. It has been a privilege for me to shake the hands of all of the interviewees of 2025, sometimes in their own homes and workspaces, and ask them about their creative process.” Interview segment producer Trevor Marc Hughes looks back on a year of The British Columbia Review Interview Series.
“It’s also healthy to remember that the magazines, and this anthology, aren’t judgements but glimpses of which books of poetry might be coming soon within the editors’ favoured aesthetic styles. It’s part of the process that some poems aren’t chosen. The ones not in this volume, for instance. You could make other volumes for the year that would include them and leave these ones out.” —Harold Rhenisch reviews Best Canadian Poetry 2026, selected by Mary Dalton (Windsor: Biblioasis, 2025) $24.95 / 9781771966764
“It’s a call-out, a must-read.” (Just read the damn review already!) —Steven Ross Smith reviews Say It, by Jan Zwicky (Victoria: Deer Mountain Pages, 2025) $15.00 / 9781778235849
“Geddes’ path out of such blindness is to choose protest: he will join a group of ‘old lefties,’ holding up placards. In other words, he does what old men, bewildered, can do: stand for an ethical point of view within long memories, and hope that the gesture travels well.” —Harold Rhenisch reviews Eyeless in Gaza Again, by Gary Geddes (N.p.: World Beyond War, 2025) $0.00
In collection of poetry where nature takes pride of place, a writer “shows a strong understanding of poetic craft,” relating lyrical tales that are “personal, observant, moving, and expansive” and “made potent through a distinctive working of language and image.” —Steven Ross Smith reviews All of Us Hidden, by Joanna Streetly (Qualicum Beach: Caitlin Press: 2025) $20.00 / 9781773861722
“The lines are tough and full of bones, like dried salmon, but respond well to chewing”: epic in size and scope, a posthumous volume grapples with literary and cultural inheritance, as well as the desecrations of BC’s colonial-capitalist history. —Harold Rhenisch reviews Recarving the Chrysoprase Bowl (The Book of Gates, Vol. 1), by Tom McGauley (Afterword by Luke Franklin) (Moncton: Galleon Books, 2025) $29.99 / 9781998122080
“In some respects, the school already had a number of carefully nurtured traditions tending in that direction. We played rugger rather than the more plebeian soccer. We competed with several minor public schools at cricket and rugger and, although twelve miles from the River Thames, entered one or two rowing eights in the Head of the River races.” Christopher Levenson recalls his schoolboy days in England in the next instalment of his memoir “Not One of the Boys.”
In an appealing, ruminative collection of “smart stuff,” a poet looks to own remote past, as well as a city’s past, present, and (possible) future. In imagining and telling new stories, the poetry works to challenge presumptions embedded in colonial history. —Harold Rhenisch reviews Inventing What We Need to Know, by W.H. New (Oakville: Rock’s Mills Press, 2025) $20.00 / 9781772443240
Author’s third book of poems, is “a charming sequence that boldly documents the speaker’s firsthand experience with mental illness. Far from unfamiliar to those who have not been diagnosed with such an illness, the speaker’s thoughts and feelings represent an intensifying of the human spirit in all its joy and personal inadequacy and, most of all, in its need for a sense of purpose to feel whole.” —gillian harding-russell reviews Notes From The Ward, by Steffi Tad-Y (Guelph: Gordon Hill Press, 2025) $20.00 / 9781774221679
Please take a moment to contribute to our annual fundraiser at The British Columbia Review. In our 2024 campaign we raised $14,000 from 158 donors, which represents about a quarter of our income, the rest coming from grants, advertising, and partnerships. I hope we can equal that amount again this year. A big thank you to those who have already donated.
Evelyn Lau’s “Cursing, Flailing,” selected by Mary Dalton for inclusion in Best Canadian Poetry 2026 (Windsor: Biblioasis, 2025) $24.95 / 9781771966764
Solemn and autumnal when not wintry, a pair of ruminative poetry collections range widely as they reflect on troubled personal histories and the outside world. —Marguerite Pigeon reviews I Would Like To Say Thank You, by Joseph Dandurand (Madeira Park: Harbour Publishing, 2025)
$19.95 / 9780889714908 and November, November, by Isabella Wang (Madeira Park: Harbour Publishing, 2025) $19.95 / 9780889714847
Delightful while sobering and illuminating, a memoir-in-verse celebrates pop music as it revisits cultural history and queer coming-of-age in the ’80s and ’90s. —Brett Josef Grubisic reviews Soundtrack: A Lyric Memoir, by Michael V. Smith (Toronto: Book*hug, 2025) $24.95 / 9781771669498
In pensive dialogue with twentieth-century history, and with Robert Polidari’s photographs of New Orleans and Chernobyl, a poet outlines the politics of catastrophes as well as their aftermaths. —Harold Rhenisch reviews Long Exposure, by Stephanie Bolster (Windsor: Palimpsest Press, 2025) $21.95 / 9781997508014