“George is one of those raconteurs. The first half of Barefoot Gringo jumps from one zinger to another, all of them the kind of crowd pleaser recognizable around the social leveller of a table crowded with glasses and almost invisible through smoke.” Harold Rhenisch reviews Barefoot Gringo, by George Bowering (Vancouver: On Point Press, an imprint of UBC Press, 2026) $26.95 / 9780774890786
Whether “stuck in a forever summer” in the city or mentally revisiting a “home landscape of spruce and willow, rabbit and moose, blueberry and fireweed” (as well as “taps that don’t bring water”), a writer showcases a craving for comfort and certainty in a debut book of poems. —Joanna Streetly reviews Spruce to Cedar, by Lasänmą (Picton: Brick Books, 2026) $23.95 / 9781771316705
“Byers provides compelling vignettes of encounters with workers returning to work after injury; pre-emptive inspections of structures that could lead to repetitive strain injury; and at times antagonistic encounters with supervisors. These are stories of inspection, vigilance, witnessing, and recording.” Wendy Burton reviews Coming Home from the Candy Factory, by Jane Byers (Qualicum Beach: Caitlin Press, 2025) $24 / 9781773861746
Eclectic volume of poetry “will catch the eye of book lovers, retail workers, and tree huggers. That’s an eclectic group of people, and underlines the uniqueness of the author’s lived experience that manifests in her poems. Dickinson offers a debut that is confident in its voice and builds a world populated by bookshelves and sea urchins. If you’re a poet who works in customer service, this might be the book for you.” —Isabella Ranallo reviews Staff Picks for Invertebrates, by Zoe Dickinson (Gananoque: Guernica Editions, 2026) $22.95 / 9781778490286
“Tender, attentive to small moments of meaning within and beyond the places the poet once pushed or simply didn’t pay attention, this is poetry that, at its best, forces readers to reconsider their own histories.” —Carellin Brooks reviews Gold Star, by Emma McKenna (Toronto: Book*hug, 2026) $22.95 / 9781771669740
“[Untitled],” an excerpt from Dad Era, by Jordan Abel (Toronto: Coach House Books, 2026) $24.95 / 9781552455234
Verse-like fiction and/or novelistic lyrics, a seminal poet’s latest book dazzles our reviewer: “It’s a dream of touching people. Everyone. And the world. Which is a person, too. Even bill’s drawings are touch. His paintings are made out of gentle finger strokes on canvas. Through touch, bill makes a world.” —Harold Rhenisch reviews th buk uv lost passwords 1, by bill bissett (Vancouver: Talonbooks, 2025) $24.95 / 9781772016932
“Conrad Kain is a longer poem, much like David, but unlike the fictional David, Conrad Kain is biography turned into succinct and compact poetry. It is Birney at his alliterative and alluring best, and Kain is held high as the model and icon of the authentic Canadian mountain man.” Ron Dart takes a look back at the poem Conrad Kain, by Earle Birney.
Volume by “a poet in full command of her powers” examines past selves and current (middle-aged) self. And neither does it shy from irreverence: “Funny, sexy, bawdy writing like this is all too rare in Canadian poetry. Bachinsky’s work is a breath of fresh air, sure, but more importantly, her willingness to discuss such topics in no way diminishes the seriousness of her overall project.” —Carellin Brooks reviews Real Grownup, by Elizabeth Bachinsky (Gibsons: Nightwood Editions, 2026) $19.95 / 9780889714960
A quantum “world pushes in on an isolated self” in a batch of playful, meditative, performative, and surreal poetry. “This is hard stuff, looked at with a cold eye. It’s beautiful, fierce, profoundly defensive, smart as heck, and intrusive,” our reviewer remarks. Harold Rhenisch reviews Who Else in the Dark Headed There, by Garth Martens (Windsor: Biblioasis, 2026) $21.95 / 9781771967082
“If they are a choir, Genni Gunn, an Italo-Canadian poet and musician, translator of this volume, lifts it out of sea narrative to angel choir. Her sensibilities, like Maraini’s, bring harmony to the deliverance of a poetically nuanced story to universality.” Linda Rogers reviews The Ship for Kobe, by Dacia Maraini, translated by Genni Gunn (Hamilton: Guernica Editions, 2025) $22.95 / 9781778490019
In a sophomore poetry collection—that’s “a triumph”—set primarily in a psychiatric ward, an author examines their past and envisions an integrated future. The account of a “tremendous and ongoing struggle to heal” is both technically accomplished and visceral. —Joanna Streetly reviews Pitiful, by Brandi Bird (Toronto: House of Anansi, 2026) $22.99 / 9781487014087
“[F]ull of adventurous precision,” a poet’s third poetry collection “digs into language that renders sonic, succinct, and imagistic lines.” And more: “Beautifully rendered, it offers the reader a full poetic experience.” —Steven Ross Smith reviews Empties, by Neil Surkan (Montreal: McGill-Queen’s UP, 2026) $19.95 / 9780228027317
A quarter-century career retrospective commands attention. Our reviewer concludes that the book “is a remarkable oeuvre that includes poems of great beauty that intertwine light and dark, fire and water and earth and dust or ashes, and all these poems so magnificently held together by love.” —gillian harding-russell reviews Two Songs: Selected Poems 2000-2025, by Russell Thornton (Madeira Park: Harbour Publishing, 2026) $26.96 / 9781998526574
“I know this collection of work by these women is something readers will refer to time and time again, knowing each time they do, they will find something new to inspire them at exactly the moment they need it.” Valerie Green reviews Something Has Changed: An Anthology of Women’s Voices, by The Pen Pals Writers’ Collective (Nanaimo: Pen Pals Publishing, 2025) $20 / 97810694399505
“The masterful poems in Sightings—a golden anniversary book, if you will—range wide and deep. Friesen’s focus is both personal and transformative, with poems touching on nothing less than birth, death, and the clear-seeing moments between.” —M.A.C. Farrant reviews Sightings, by Patrick Friesen (Winnipeg: CMU Press, 2026) $24.00 / 9781987986297
“Sarah Boon’s particular scientific interest is glacial hydrology and the modelling of the formation of rivers in the unstable melting phase of glaciers. She has also done some interesting work on forest hydrology, specifically on the impact of clearcutting of snow run-off. The memoir is interspersed with interesting comments and insights into glacier formations and on their importance for understanding the impacts of climate change. The focus is, however, on what it means to be a woman scientist in Canada and on Sarah Boon’s journey through a self-destroying system.” Loÿs Maingon reviews Meltdown: The Making and Breaking of a Field Scientist, by Sarah Boon (Edmonton: University of Alberta Press, 2025) $27.99 / 9781772127911
“Anderson’s love for being in the kitchen and garden is unmistakeably real and infectious. Interspersed with Anderson’s own poetry and sketches, I find the physicality of the book, simply existing in my proximity, to be soothing.” Jessica Poon reviews I Love You: Recipes from the Heart, by Pamela Anderson (New York: Voracious, 2024) $35 / 9780316573481
In “‘story-ish'” poems and others “where answers and hope are scarce,” an intrepid pair of inventive poets wrestle with form as they work to characterize contemporary culture. —Steven Ross Smith reviews Interposition, by Kaie Kellough (Toronto: McClelland & Stewart, 2026) $25.00 / 9780771023729 and Your Lover Stabbed in the Streets, by David Romanda (Okotoks: Frontenac House, 2025) $22.95 / 9781997580027
Part pop music meditation, part memoir, a poetry-and-prose hybrid offers “an authentic glimpse into Michael Turner’s roots and perspective through a lens that only Turner can provide.” With that said, some of the author’s techniques and choices raise questions for our reviewer. —Joe Enns reviews Playlist: A Profligacy of Your Least-Expected Poems, by Michael Turner (Vancouver: Anvil Press, 2024) $20.00 / 9781772142280