Novelist sets out to “destroy it all … and start over with a handful of survivors, to see if they could build something better,” and then imagines the fraught next steps. —Dana McFarland reviews Post Civ, by Julianne Harvey (Surrey: Ruby Finch Books, 2024) $25.00 / 9780987797841
Poetry volumes highlight a poet’s “impeccable way of seeing the grieving, dreaming world” as well as another’s “no readily-digested messages.” —Catherine Owen reviews Distractions, by Eve Joseph (London: Baseline Press, 2023) $15.00 / 9781928066873 and Signal Infinities, by Melanie Siebert (Toronto: McClelland and Stewart, 2024) $22.95 / 9780771013980
Probing, technical collection of poetry touches on Romantic literature, German philosophers, and the natural world as its author searches for connection. —Harold Rhensich reviews A Blueprint for Survival, by Kim Trainor (Hamilton: Guernica Editions, 2024) $21.95 / 9781771838627
A “must-read” collection of poems reveals the poet’s critical examination of both the worlds he belongs to and his place within them. —Harold Rhenisch reviews Teeth, by Dallas Hunt (Gibsons: Nightwood Editions, 2024) $19.95 / 9780889714526
A poetry collection’s “distinctive power” is founded on a “keen but understated awareness of the interplay between the human world and the natural environment.”—Christopher Levenson reviews Moving to Delilah, by Catherine Owen (Calgary: Freehand Books, 2024) $19.95 / 9781990601583
Debut poems and capitalist criticism in the form of “intricate napkin doodles,” they are “spectacular gestures but not always particularly easy or comfortable reads.” —Harold Rhenisch reviews Tomorrow is a Holiday, by Hamish Ballantyne (Vancouver: New Star Books, 2024) $16.00 / 9781554202089
“In putting together pain, loss, and good feeling, the poems articulate a human capacity for gear shifting amidst dissonance—however imperfect.” —Marguerite Pigeon reviews Fine, by Matt Rader (Madeira Park: Nightwood Editions, 2024) $19.95 / 9780889714663