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Asian Canadian

The ‘absurdist scheme of things’

Wong cover

Author’s third book (and first novel) is a “confrontational exploration of both explicit and internalized racism, shame, and death, a scathing indictment of capitalism and certain traditions, and a middle finger to blandness.” What’s not to like? —Jessica Poon reviews Villain Hitting for Vicious Little Nobodies, by Lindsay Wong (Toronto: Penguin Canada, 2026) $27.95 / 9780735242418

‘Robbery of innocence’

Rogers 6. feature cover Hopes Dreams Lies

“Ho has written his story with full sensory impact. We smell the difference between classes on the ship that brings Cheung and his son Wing to Canada and between wealthy and poor neighbourhoods in Victoria. Rich people get more room and proper sanitation. He also contrasts the exquisite cooking odours of Chinese cuisine with the smell of cabbage and boiled beef and the beautiful tremolo of the erhu and the pleasant clicking of mah-jong tiles in Fantan Alley…” Linda Rogers reviews Hopes Dreams Lies by Edward H. K. Ho (second edition) (Kindle, 2025) $4.30

[ book excerpt: novel ]

Wong excerpt cover

An excerpt from Lindsay Wong’s Villain Hitting for Vicious Little Nobodies (Toronto: Penguin Canada, 2026) $27.95 / 9780735242418

A year of interview segments

Hughes 1, 2025 interview segment post

“Our interviewees have been many and varied: from seasoned poet George Bowering to newcomer, Giller Prize-shortlisted author, Eddy Boudel Tan, from bestselling history author Nancy Marguerite Anderson, to acclaimed memoirist Marion McKinnon Crook. It has been a privilege for me to shake the hands of all of the interviewees of 2025, sometimes in their own homes and workspaces, and ask them about their creative process.” Interview segment producer Trevor Marc Hughes looks back on a year of The British Columbia Review Interview Series.

Reviewer picks 2025 (part I)

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BCR asked some of our regular contributors about books they read in the past year that really stayed with them. Once again, “eclectic” is our word of the year.

An A+ for gore and yuck

9781250865816

YA horror set at a spiritual retreat that isn’t: “Structurally impressive, mythologically rich, and recurrently dark, Cheng has carefully infused just enough humour and hope in a novel where it’s easy to root for the good guys.” —Jessica Poon reviews Beautiful Brutal Bodies, by Linda Cheng (Toronto: Listening Library, 2025) $20.99 / 9781250865816

Tech systems, spiritual cosmologies

Phantasmagorical speculative fiction that spans centuries and jumps between dimensions, a novel unfolds as “a bold, evocative exploration of what it means to awaken to one’s purpose in a world shaped by both ancient forces and uncertain futures.” —Raeshelle Pascual reviews A Dream Wants Waking, by Lydia Kwa (Hamilton: Wolsak & Wynn, 2023) $22.00 / 9781989496756

Feelings to bury, darkness to traverse

“[R]eading this novel made me livid in the best possible way. The supernatural aspects of the novel are, arguably, the least frightening; normalized human cruelty and deep-seated male entitlement are infinitely more terrifying. Prepare to flinch.” —Jessica Poon reviews The Hunger We Pass Down, by Jen Sookfong Lee (Toronto: McClelland and Stewart, 2025) $26.00 / 9780771012853

A ‘purpose unstaggered’

Author’s third book of poems, is “a charming sequence that boldly documents the speaker’s firsthand experience with mental illness. Far from unfamiliar to those who have not been diagnosed with such an illness, the speaker’s thoughts and feelings represent an intensifying of the human spirit in all its joy and personal inadequacy and, most of all, in its need for a sense of purpose to feel whole.” —gillian harding-russell reviews Notes From The Ward, by Steffi Tad-Y (Guelph: Gordon Hill Press, 2025) $20.00 / 9781774221679

[ book excerpt: poetry ]

Evelyn Lau’s “Cursing, Flailing,” selected by Mary Dalton for inclusion in Best Canadian Poetry 2026 (Windsor: Biblioasis, 2025) $24.95 / 9781771966764

‘This is how it is in life / and death’

Solemn and autumnal when not wintry, a pair of ruminative poetry collections range widely as they reflect on troubled personal histories and the outside world. —Marguerite Pigeon reviews I Would Like To Say Thank You, by Joseph Dandurand (Madeira Park: Harbour Publishing, 2025)
$19.95 / 9780889714908 and November, November, by Isabella Wang (Madeira Park: Harbour Publishing, 2025) $19.95 / 9780889714847

On reflection, on resilience

“The challenge in creating the exhibition Eating Bitterness: The Canadian Journey from Exclusion to Inclusion was to develop a temporary travelling exhibition which tells the story of the Chinese Exclusion Act in an original, more hopeful way. At the same time, we wanted to raise awareness of the barriers that are faced by the Chinese Canadian community and other communities that need to be overcome.” Christine Cheung reflects on the Eating Bitterness: The Canadian Journey from Exclusion to Inclusion exhibition, currently at the Victoria Chinatown Museum until October 26.

Culture, games, and war

Sharing a focus on Chinese Canadian war efforts, a pair of strikingly illustrated picture books tell layered stories that would serve well at home and in the classroom. —Alison Acheson reviews Endgame: The Secret Force 136, by Catherine Little (illustrated by Sean Huang) (Oakville: Plumleaf, 2023) $22.95 / 9781738898244 and Reach for the Sky: How Two Brothers Built an Airplane in Chinatown, by Evelyn Sue Wong (illustrated by Sarah Ang) (Oakville: Plumleaf, 2025) $22.95 / 9781738898244

Tyrants, cowards, heroes

A late entrant to the teeming dystopia subgenre with adolescent protagonists, a novel shows potential and emotionally powerful scenes, but is marred by weak characterization and a “generic dystopia fill-in-the-blanks” structure. —Isabella Ranallo reviews Slice the Water, by PP Wong (Fredericton: Goose Lane Editions, 2025) $26.00 / 9781773104447

‘What it means to be free’

In a free-wheeling interview, Cathalynn Labonté-Smith and PP Wong touch on an array of topics, from book-banning and British comedies to inspiration and the meaning of “elephant-anus” in the fictitious nation of Mahana.

‘A particular column of thought’

Selfhood, interpersonal relations, family history, and the wonders of the world are examined acutely in a debut collection book of verse, where some poems have greater immediate appeal than others.—Brett Josef Grubisic reviews Stolen Plums, by Alice Turski (Montreal: Signal Editions, 2025) $19.95 / 9781550656770

Exclusion on ethnic origin

“Catherine Clement’s new book, The Paper Trail to the 1923 Chinese Exclusion Act, and the commemorative exhibition that preceded it, takes an unflinching look at the inter-generational impact of the ‘…fanatical documentation [which] reached its apex with the passing of the federal 1923 Chinese Immigration Act.'” May Q. Wong reviews The Paper Trail to the 1923 Chinese Exclusion Act, by Catherine Clement (Oakville: Plumleaf Press, 2025) $59.95 / 9781069093516

The Permanent Residence blues

The promise of comfort and security in a new home continues to elude the proverbially overworked and underpaid characters in a searing novel that highlights exploitation, corruption, and bad faith in Canada’s immigration system. —Ron Verzuh reviews Frosty Lanes, by Harpreet Sekha (translated by Akal Amrit Kaur and Inderpal Kaur) (Chhanna, India: Rethink Books, 2025) $x.xx / 9789348092922

A universe between the covers

Cerebral, inventive, challenging, and deeply, well, bookish, the “whole novel glows with similar interplays of similarly repeated words and issues, ones that touch on the most fundamental nature of the human experience—truth and knowledge, beauty (especially of music), love, and, perhaps most fundamentally, happiness.”—Theo Dombrowski reviews The Book of Records, by Madeleine Thien (Toronto: Knopf Canada, 2025) $36.95 / 9781039009561

Catherine Clement – Curating Chinatown’s history

“I don’t think of myself as an author,” begins acclaimed curator Catherine Clement, “I think of myself as a street historian or community historian first, and the only reason I create books is to solidify those memories, to lock them in for future generations to find.” Trevor Marc Hughes presents an interview segment featuring Vancouver curator and historian Catherine Clement.

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