1752 The hold of place and family
Why I’m Here: A Novel
by Jill Frayne
Edmonton: NeWest Press, 2022
$21.95 / 9781774390498
Reviewed by Valerie Green
Jill Frayne’s book Why I’m Here is a combination of the strong pull of family, overwhelming heartache and puzzling mystery. The book is a compelling read set against the fierce splendour of the Yukon.
The protagonist, Helen Cotillard, is a disillusioned counsellor in the only available agency for youth and families in Whitehorse. Her first meeting with fifteen-year-old Gale makes her convinced that the girl desperately wants to leave the Yukon and return to her mother Mindy, step-father Neil and little step-sister, Buddie. This is confusing because Mindy is an abusive alcoholic and has been in and out of prison many times. But Gale misses her sister and fears for her safety. She resents the fact that she was sent to Whitehorse to live with her father, Dave, and step-mother Sandy.
In many ways, Helen soon realizes that Gale’s story parallels her own and as the story progresses, the reader learns that Helen’s own sister (Jo) tragically died on one of her visits to Whitehorse to stay with Helen. Helen blames herself for what happened to her sister — and therein lies another mystery. What happened to Jo was indeed a tragic accident, but Helen is so consumed by blame for the past, that her job as a counsellor is suffering and she fears she is unable to help Gale or any of her other clients, including a troubled boy named Keith Balboa.
Frayne’s story jumps back and forth from Helen’s present situation to her past life with her family and sister, Jo. She wishes she had never left her much younger sister behind in order to work in the Yukon. Their infrequent visits together were never enough and now it is too late. In that respect she has begun to think of her client, Gale, in a sisterly way and desperately wants to save her.
All of Frayne’s characters are compelling, even Helen’s beloved dog, Chief Joseph, who accompanies her on her walks and understands her fluctuating moods. Gale herself comes across as a disturbed youngster who is reluctant to open up to Helen and only begins therapy with her at the insistence of her stepmother, Sandy, who is worried about Gale’s frequent anxiety attacks. But Sandy herself has trauma from her past so is not very good at helping or understanding her stepdaughter. Gale’s father, Dave, is opposed to becoming involved in his daughter’s problems because he sees similarities in Gale to his ex-wife, Mindy, and he wants no part of that toxic scenario again. A brief glimpse into Mindy’s earlier life, however, offers some compassion for Mindy, enabling the reader to see why she has become the abusive woman she is today.
Keith Balboa, the young boy who is another reluctant client of Helen’s, is also a strong character. He appears to be yet another lost soul in the wasteland of the north. This makes for a somewhat depressing picture of the future for young people growing up there and all of this hangs heavily on Helen and other counsellors in Whitehorse.
These stories are all set against the powerful landscape of the Yukon and here is where Frayne’s book really shines. Passages such as:
The Yukon was sere, a silver cast to the land at any season. Sky and rock, no earth.
That part of the Territory always gets a heat wave in early spring. A hot wind whooshes over the mountains, brown melt-water rushes in the roads, and Yukoners, after a seven-month winter, walk around with their coats open, dazed as houseflies waking up in a hot room.
Fall in the Yukon lasts three days. It is the barest threshold before the winter storms roll in. Over three days summer throws a last fond look over her shoulder, sets the land aglow. And then vanishes. Taking the light with her … autumn in the Yukon is rose, a thousand shades of rose. It is fireweed and highbush cranberry and wild strawberry. For three days.
There are equally descriptive passages of life in Cobalt, Ontario, where Gale’s mother, stepfather and little sister live and where Gale longs to be.
When Gale eventually does run away, despite the fact that she and Helen were beginning to connect through more meetings, Helen feels she has failed her and begins to question everything about her life choices.
The rather abrupt conclusion to Why I’m Here left me wanting to know more but maybe that was Frayne’s intention, forcing her readers to come to their own conclusions. As a reviewer of this compelling book, my own takeaway to the story was that perhaps the heart really does know best about the place where one should be.
This is a story about the powerful hold both place and family have on us and the fact that love cannot be rebuffed even when it is ugly.
Jill Frayne herself worked as a family counsellor in Toronto and central Ontario. After visiting the Yukon she wrote a travel memoir, Starting Out in the Afternoon, and many outdoor adventures articles for various Canadian publications. Why I’m Here is her first novel. Today she spends time in central Ontario and the mountains around Atlin, BC.
Valerie Green was born and educated in England where she studied journalism and law. Her passion was always writing from the moment she first held a pen in her hand. After working at the world-famous Foyles Books on Charing Cross Road, London, followed by a brief stint with M15 and legal firms, she moved to Canada in 1968 where she married and raised a family, while embarking on a long career as a freelance writer, columnist, and author of over twenty non-fiction historical and true-crime books. Her debut novel Providence has recently been published by Hancock House as volume 1 of The McBride Chronicles, an historical four-generational family saga bringing early BC history alive. Providence is reviewed here by Vanessa Winn. Now semi-retired (although writers never really retire!) she enjoys taking short road trips around BC with her husband, watching their two beloved grandsons grow up and, of course, writing. Editor’s note: Valerie Green has recently reviewed books by Mike Phelan, Jocelyn Reekie, Susan Goldenberg, Irene Huntley, Jack Knox, and Johanna Van Zanten for The British Columbia Review.
The British Columbia Review
Editor and Publisher: Richard Mackie
Formerly The Ormsby Review, The British Columbia Review is an on-line book review and journal service for BC writers and readers. The Advisory Board consists of Jean Barman, Wade Davis, Robin Fisher, Barry Gough, Hugh Johnston, Kathy Mezei, Patricia Roy, Maria Tippett, and Graeme Wynn. Provincial Government Patron (since September 2018): Creative BC. Honorary Patron: Yosef Wosk. Scholarly Patron: SFU Graduate Liberal Studies.
“Only connect.” – E.M. Forster