1220 Gothic mountain fiction

Goth Girls of Banff
by John O’Neill

Edmonton: NeWest Press, 2020
$19.95 / 9781988732954

Reviewed by Myshara Herbert-McMyn


The author of a novel and four poetry collections, John O’Neill is a former high-school Dramatic Arts and English teacher who now lives and writes in Toronto. His Goth Girls of Banff presents short stories about Banff, that small arts and tourism town in the Rocky Mountains a stone’s throw from BC’s eastern border. O’Neill has learned to listen to Banff, its people, and the surrounding mountains. His stories captivated and drew me in until it felt like I was reaching inside the body cavity of a killer bear, or at the very least hiring some of his eclectic Goth Girls of Banff to climb with me. This collection is enthralling enough to draw anyone in.

The first story begins our mountain journey. In “What is Written, or, Talking to Keep the Bears Away,” we get into the Allan family’s car with Don, a hitchhiker, and travel down a dangerous road through the Rockies. Though Don is a stranger, he’s welcomed into the car without judgement or fear. This story introduced what to me is the overarching theme of this collection: connections. Mountains have always felt lonely to me, but I love the idea that being in the mountains can bring you closer to another person, and that you can find kinship with another when travelling down different paths on the same road deep in a valley between high mountain peaks.

John O’Neill

The young woman in “Attacking the Bear” reaches for her sketchpad as she faces down a bear. Yet her connection to the bear comes not from fear, but from curiosity and art. Creativity is crucial to her life; it allows her to feel things more deeply. Her urge to capture the moment and the bear’s beauty is overwhelming. Her creative instinct defies logic by overruling her natural response to fear. Focused on interest and inspiration rather than fear of bears, this story interested me far more than countless bear stories where people (understandably) panic.

“The Book About the Bears” concerns a man who performs animal necropsies. He seems to be stuck somewhere between animal and man, as if every animal he examines had given a little part of itself to him, and he had given a bit of himself in exchange. As the world attempts to bring him closer to humanity, he hesitates. He accepts an outstretched hand from an unusual source and allows himself to connect in an unexpected way.

In “Three Places,” a man is tasked with scattering the ashes of Hannah, his wife, who had asked to be scattered on a river where the water meets the shore. Their past connection, and Hannah’s past connection to this river, allow him to make a very different call. Though he went along with his wife’s need for routine during her life, on her death he takes the initiative and goes off script. Perhaps, I thought, we need to make our own decisions to move forward, away from old connections and on to others.

Marilyn Monroe at Banff, 1953. Photo by John Vachon, from Marilyn: August 1953 (Calla Editions, 2010). Courtesy of the estate of John Vachon and Dover Publications

“Marilyn in the Mountains: Nine Poses” is a beautiful imagining of Marilyn Monroe’s thoughts and feelings on the set of the Hollywood movie River of No Return (1954), which was filmed in Banff and Jasper. Nine photos, one for each story, help build the basis of these apparently static moments and give O’Neill a series of images of Marilyn’s life. She eats dinner, waves to fans from the driver’s seat of a car, poses poolside with an injured ankle, and so on. But behind every picture necessarily is implicit and extended movement. We use photos to capture movements of our lives to look back on and remember. For me, the moment the flash goes off isn’t the memory that comes to mind when reflecting on my own family vacation photos in the mountains. It’s the swimming, the people, the laughing in the evening, the great food. O’Neill does something similar here as he transforms the photos from fixed moments into pieces of the puzzle that was Marilyn Monroe.

Anyone who reads Goth Girls of Banff will be drawn to something deep in the Canadian Rocky Mountains. I find myself yearning to go to Banff and explore, to meet strangers, to hear their stories, and to see what other secrets are being kept quietly in the valleys between the peaks. If you’ve ever wanted to visit Banff, I suggest picking this book up. It will frighten you and inspire you and, in the end, you might just yearn for a slice of that adventure too.

John O’Neill


Myshara Herbert-McMyn

Myshara Herbert-McMyn is a book reviewer and aspiring writer living in the Okanagan. She runs the blog Lit&Leta. She holds a Bachelor of Arts in English and Creative Writing from Thompson Rivers University. Editor’s note: Myshara Herbert-McMyn has also reviewed books by Christina Myers, Paul Bae and Ruth Daniell for The Ormsby Review. Previously, with her TRU mentor Ginny Ratsoy, she reviewed books by Roo Phelps and Tim Conley. Myshara lives in Kelowna.


The Ormsby Review. More Books. More Reviews. More Often.

Publisher and Editor: Richard Mackie

The Ormsby Review is a journal service for in-depth coverage of B.C. books and authors. The Advisory Board consists of Jean Barman, Wade Davis, Robin Fisher, Cole Harris, Hugh Johnston, Kathy Mezei, Patricia Roy, Maria Tippett, and Graeme Wynn. Scholarly Patron: SFU Graduate Liberal Studies. Honorary Patron: Yosef Wosk. Provincial Government Patron since September 2018: Creative BC

“Only connect.” – E.M. Forster

5 comments on “1220 Gothic mountain fiction

Leave a Reply

Your email address will not be published. Required fields are marked *

Pin It on Pinterest

Share This